So, on to Contata proper. (See this earlier article for context.) A filk con is different from a regular con (assuming that my limited experience at Lunacon allows me to generalize about a “regular” con) in that the filk con is explicitly organized around the music. In a lot of ways, it was really just a rolling three-day concert. Unlike Lunacon, there were few panels or discussions per se (though I must admit I simply missed a few, on things such as tone-shaping or guitar-making). Instead, there were scheduled performances and “open filking” — which is basically an otherwise-unoccupied room wherein anyone could drop by and begin singing. And of course, the traditional midnight chocolate tasting.
This put me in an odd position. As anyone who’s suffered through the Hun Talent Shows can tell you, I am every bit not a singer as I am not a songwriter. The only thing musical that I can play is an iPod. Thus I didn’t really have much to offer. (Only later did I come across Ian, who tells stories rather than sings. I thought, maybe I can do that, with enough prep work.) Indeed, the primary talent I brought to these sessions is my ability to clap loudly, honed at many a high school play. I could also join on the chorus — filk songs tend to have very crowd-friendly choruses — if there were enough other people to render my mangling anonymous.
More below the fold.
(more…)