Category: Writing

  • Thespiatic

    Wow. It’s been a long time since I’ve written anything. Someday soon I’ll document what a blur my April and May have been, as explanation if not excuse. Meanwhile, let me share my tiny contribution to the recent play The Peter Pan Project, conceived as a community-written work. The prompt was, “Describe the moment you grew up.” My response is below the fold.

    But first, I have to say: I was not ready for the emotional punch of hearing someone else read my words to an audience. The staging was absolutely perfect (thanks, Aaron!) and the impact was overwhelming: A solitary actor, at the right edge of the stage, a forlorn spotlight piercing the otherwise pitch-dark room. And these words:

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  • Another propaganda poster

    As has been usual, this is another exhortation to “Work to Win”. My “study” of WWI and WWII posters indicates that almost all fell into the “Work harder” or “Buy more bonds” categories. True to form, this poster says, “Victory up here… begins down here“. Overhead are a Retro Rocketship and a DV snub fighter. On the ground, in a vaguely-factory-ish compound, is another Retro Rocketship. It’s not so easy to make clear that this one is being assembled or worked on. I put in a forklift and a repair bot, as well as a guy welding something to the periscope hatch. (He’s hard to see, on the top of the ship.) Actually, I had to go find models for almost everything, as I didn’t have a lot of industrial nick-nacks lying around.

    dug


  • The Mongrel Dogs at Sea (12): From Arizona to Missouri

    Seven days ago I had the opportunity to relive the American experience in the Second World War in one morning. In reverse. As part of the Regal Princess‘ stop at the port of Honolulu, I took part in a tour of the memorials to the USS Arizona and USS Missouri. In case your command of WWII facts is rusty, the Arizona is a battleship sunk during the sneak attack on Pearl Harbor on 1941 December 7 – the date that will live in infamy. The Missouri is part of the American response to that act. It’s an Iowa class battleship, the largest ever built and the last in service. On the decks of the Missouri, on 1945 September 2, the Japanese government signed the papers surrendering to the United Nations. In between, tens of millions of people died – nearly half a million of them American.

    For reasons having to do with long lines and scheduling, my tour group actually explored the Missouri memorial first. The Missouri Memorial is, in fact, the Missouri – all of BB 63, anchored and refit as a floating museum. It’s not exactly a WWII monument. During the half century between VJ Day and its decommissioning, the Missouri served as a flagship of the United States Navy. It saw action in Korea, in Viet Nam, and even in the (first) Gulf War. During this span it was modernized and upgraded: the seaplane replaced with helicopters; the machine guns replaced with gatling anti-air. A full complement of Tomahawk cruise missile launchers was installed. In case all of that should fail, though, the Mighty Mo’ kept her main armament, nine 16-inch cannon in three independent turrets.

    For all of the intimidating bigness of the battleship, the most stirring part turned out to be the surrender documents. Both copies – American and Japanese – are displayed. I was struck by the contrast of grand and mundane. At one glance are all the grandiose phrases calling for the end of war and the dedication to new peace. But look a little closer and you see the mark of a very human moment, where the representative of Canada, in his nervousness, signed on the wrong line and necessitated a hurried penciled correction. MacArthur insisted that the proper titles be penciled in and each signatory initial next to his correct line. How bizarre – between them, these men had fought the most devastating war ever known, had overseen barbarities of a nature hard to contemplate, had rained down obliteration on entire cities and had sent thousands of men to their deaths to do it. Yet here they were, worried that somehow, a signature in the wrong place could render the document worthless and the exercise moot.

    Yet that’s the way of it, isn’t it? Paper covers rock. We think it’s the things that matter, but somehow, it’s the pieces of paper that seem to actually change the course of history. World War I became World War I, in a sense, with the British treaty guaranteeing Belgian neutrality – dismissed as just a “scrap of paper” by the German High Command. World War II spread to the West and became a World War with the Allied treaty of defense with Poland, again dismissed as just words on a page. In both cases, the powers that derided the words went on to be humbled by them.

    The Declaration of Independence. The Constitution of the United States. The Magna Carta and the Declaration of the Rights of Man. The Emancipation Proclamation. The Fourteen Points and the Atlantic Charter. Words on a page. Scraps of paper. But nothing more feared by tyrants, more despised by despots. It’s no accident that the Soviet Union registered all typewriters and made private possession of a mimeograph a felony offense.

    And here, under glass, on the gently rolling deck of the mightiest warship ever constructed, was a piece of paper that had ended a war because it said so. The history of the war was written in the blood of its combatants – but it was ended through ink. The document contains little in the way of soaring oratory or grand pronouncements. It is a legal thing, a dry thing, a weary thing yet resplendent. That piece of paper recognized a changed reality and so enabled it.

    Scraps of paper.

    Word on a page.

    Paper covers rock.

    May it always be so.

  • Adrift

    Well, not really. But for all of you out there breathlessly awaiting every post from The Mongrel Dogs Who Teach (yeah, right), a word of explanation. I’m in the middle of a two-week cruise to Hawai’i, and Net access is extremely limited. So I’ve not been posting. Now that I figure out how to hook up my flaky wireless card to the ship’s network, I might be able to do a better job. Or not. We’ll see.

  • New Poster: Ready?

    I’ve got a new, rarer “landscape” poster ready. It shows two Zarkov rockets at a docking tower, with crew running to man the ships. A DV snub fighter is lifting in the background, and the ever-lovable jetpack guy has just launched himself. The tag is “They’re Ready to Do Their Part … Are You Ready to Do Yours?“, with the ubiquitous “Work to Win” slogan. I am particularly happy with this one because it is not based on an existing poster, at least not as far as I recall. More below the fold.
    Ready to Do Their Part

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  • New Poster: Loose Lips…

    This is a variant of a classic saying from the Second World War: “Loose Lips Crash Ships!“. Of course, in the original, it’s “Loose Lips Sink Ships” and the image is of a cargo ship going down beneath the waves. Well, cargo ship clearly becomes rocket ship… but then I was stuck. You see, my rocket ship models are all intact. I haven’t yet mastered the art of deforming, breaking, or otherwise mangling a triangle-mesh object, so I had to work around it.

    My solution? Two ships, one pointing into the ground and the other, some distance away, pointing out of the ground. The intended effect was to imply a single ship broken in twain by the crash. I also sought out some fire effects and decided on — believe it or not — a Witch-Burning set by Peemot. (I can’t find the name of the creator of the terrain piece used. Sorry.) I like to think it works but you’ll have to be the judge…

    Loose Lips Crash Ships

  • Re-cap on the posters

    It’s become clear that I’ve mis-tagged some of these, and I thought it was about time — 1/3 of the way toward a book! 🙂 — to collect them in one place.

    More below the fold.
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  • New poster: Don’t Let That Shadow

    Another in the series, this one with the tag “Don’t Let That Shadow Touch Them“. This is based on one of the most effective WWII posters I know of, with the same tag but the shadow of a swastika. My job here was harder, in that I don’t have an instantly-recognizable symbol of the Martian oppressors. Instead I settled for a Martian war machine off-camera, with a low spotlight to throw a long shadow. I’m of mixed opinion on whether it gets across the shape but I like the atmosphere.

    I used the Poser standard figure “Ben” plus the Poser 4 girl. For no good reason I decided on only two children instead of three. The original had the kids playing with toys, so I used a Poser-standard cartoon character “Ginger” for a discarded doll. Ben, meanwhile, holds a scale model of an Avro Lancaster bomber. Technically, this is counter-factual to my timeline, as WW II doesn’t occur in the world of IW2. But surely some further development of the airplane will occur, and the Lancaster is not a wildly unusual design.

    Because most of my posters seem to exhort either “Buy War Bonds” or “Work to Win”, I decided to add something more. In this case, I mention the “Second Guardian Drive”. My nebulous assumption is that this is early in the war, when the humans are in the process of expelling the Martians from Earth. The “Guardian Drives” are bond drives to finance the outposts that will guard Earth’s orbit. This places this poster significantly earlier than, say, “Take the Fight to Them” or even “That You May Breathe Free“.

    Don’t Let That Shadow Touch Them

  • New Poster: A Swell Rocket

    Yet more in my one-man propaganda barrage for the Second Interworld War. This one reads, “It’s a Swell Rocket … Send Us More! with the ubiquitous exhortation, “Work to Win”. I modeled it on one from Design for Victory that had a somewhat-goofy airman pointing his thumb at an off-camera airplane and saying, “She’s a swell plane”. Normally I’d claim the moral high ground and insist that I changed to the gender-neutral “it” rather than “she” to help stamp out sexism, but the fact of the matter is, I just didn’t notice until I was done. Then I was too lazy to go back and change it. I also included the rocket, because (as I’ve said before), I labor under the added handicap that my audience doesn’t actually have day-to-day experience with the things I’m illustrating.
    It’s a Swell Rocket

  • New Poster: Keep Us Flying

    Another in the ongoing series. This one reads “Keep Us Flying — Buy War Bonds“. The inspiration is a WWII poster with exactly the same wording. In the original, it’s a pilot wearing a parachute harness. (I’m assuming it’s a pilot. It could be an airborne infantryman, I suppose.) Using the by-now standard substitution, I put in a jetpack trooper. Exhorting people to buy war bonds is pretty much the major focus of war posters, apparently.

    I made one change. I didn’t like the blank background, so I scoured the Net for a free background I could use. (I found a site called stock.xchg, which has thousands of stock images [get it?], many of which are free to use.) I settled on a stirring sunrise sky, which I like quite a bit actually.
    Keep Us Flying